Social dramas are a handy means of revealing cultural codes of communication because they usually distill arguments down to cultural perspectives through emotional arguments. What I mean is, people are stripped of their generic beings and the cultural values and beliefs at their core shine through while their emotions play into the drama. For instance in Daley’s speech he immediately turns to the revered symbol of a mother, and artfully twists the professor’s challenge into an accusation of Mrs. Keane and of how well she raised her son. This happened because gender and place are key themes of the Teamsterville spoken life, and this argument was suddenly about an offense both to her in her female role, and his station as a mother raising a son fit for office.
[See the film “Daley: The Last Boss“.]